Showing posts with label reference. Show all posts
Showing posts with label reference. Show all posts

Saturday, January 28, 2012

Cricket Explained Review

Cricket Explained
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I had the pleasure of catching two of the five days of an England test match against South Africa at the Oval during a recent holiday in London. As an American and an avid baseball fan, all I had ever heard of cricket was "boring", "incomprehensible" and, yet again, "boring". I found my two days at the Oval fascinating and was fortunate enough to not only have the patience to pay attention to the game during those two days, but also to stumble upon this great book at a bookstore on Fulham. I was even more fortunate to find the book between the two days I attended, read it from cover to cover, and have become a bit of a pest now to my American nonbelieving friends. Cricket is a great sport and if you want the quick and dirty, well here it is. From Googly to Howzhat, it's all here. Now I know enough to pester my Indian neighbors during the next test match. I wish I had this book last year during the World Cup. Great read.

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Cricket Explained offers the sports enthusiast a user-friendly introduction to baseball's British cousin, a game that shares with America's national pastime the common ancestor "rounders". This is the definitive beginner's guide to the game of cricket, written by a world authority on the sport, the co-inventor of the Coopers & Lybrand World Cricket Ratings System. Cricket Explained takes the reader from the game's fundamentals -- basic rules, terminology, equipment -- to the finer points of strategy, individual playing styles, and cricket lore. The book includes a combined glossary/index for easy reference and is illustrated throughout with the lighthearted drawings of British cartoonist Mark Stevens. So even if you don't know "short leg" from "silly mid off" or a bowler from a batsman, you'll come away from Cricket Explained with an understanding for this truly international sport which, like baseball, is loved both for its elegant simplicity and its vexing complexity. Among the topics covered in Cricket Explained's concise, user-friendly entries are: -- Cricket's history-- Making sense of the action on the field-- Batsmen and the batting order-- Fielders and fielding positions-- Fielding and batting tactics-- Scoring and statistics-- Bowling strategy-- How many players are required-- How runs are scored, outs are made, and a game is won-- Umpires and the rules-- Bowlers and their individual styles-- Different types of cricket played throughout the world

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Wednesday, June 29, 2011

Mutilating the Body: Identity in Blood and Ink Review

Mutilating the Body: Identity in Blood and Ink
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"The language of the body cannot be denied." This is the key passage in Hewitt's fascinating study on the personal and cultural significance of body modification. Permanent alteration of one's own form involves more strength, conviction, and visceral impact than any verbal statement, and so is infinitely more potent. Hewitt draws together a cornucopia of cultural and spiritual sources including performance art, ritual scarification, decorative and therapeutic tattooing and piercing, religous fasting, shape-shifting, punk fashion, and sadomasochism to trace the motives, meaning, and antecedents of personal change through self-mutilation.
Despite my only casual interest in the subject, I was impressed by Hewitt's discovery of a common foundation to some very diverse practices spanning many cultures and eras. To my knowledge, a project of such breadth and ambition on this topic is unprecedented. The other books I'd read about body modification confined themselves to tribal, biker, and punk subcultures, but Hewitt embraces all traditions, finding bridges between Maasai rites and psychoanalysis, animism and feminism, yoga and Fauvism, fashion trends and Walt Whitman, Christian iconography and Annie Sprinkle. At every level she finds a drive for self-expression, a need to heal oneself or one's society, and a yearning for transcendence.
To its credit, "Mutilating the Body" is not a smooth read, as every other sentence provokes more thought and raises more questions than whole chapters of other books. Despite its academic density, it left me wanting more--I see it as a brilliant framework, soon to be fleshed out into other books treating its insights with more focus. In the meantime, I recommend it unreservedly to anyone interested in body art, "deviant" psychology, pop culture, or anthropology.

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This scholarly discussion places acts of body mutilation within a conceptual framework that explores their similarities and dissimilarities, but ultimately interprets them as acts that ask to be witnessed. The author explores self-mutilation through history and across cultural divisions.

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